Significant Mother

Beth and I first lived under the same roof in 1982, when I was 13. My father, who was 47 at the time, invited Beth, then 23, to spend the summer in the Maine lake house he and I had fixed up the summer before. I refused to leave my room the night she arrived.

Without laying eyes on her, I knew she would be another of Dad’s interchangeable “little chickies” as he called them — the skinny, busty former students he liked to date.

The next morning, I was eating Honey Nut Cheerios when I heard her coming down the stairs. My father had already retreated to his desk upstairs, purportedly to work on a lecture on Puritan literature, but mostly to take hits from a hidden bottle of vodka.

I planned to freeze Beth out of existence with my thoughts — a superpower every gay boy needed in the 80s. But instead of making awkward chitchat, Beth just smiled, picked up her copy of “Crime and Punishment,” and ate her own Cheerios in silence.

When done, she asked if I liked the book I was reading — stories by John Cheever. Dad asked such questions only to hear his own opinion. Beth was actually curious to know mine. She was making me like her before I had the chance to hate her.

Soon on sunny afternoons, Beth and I lay on the dock together, tanning and lightening our hair with lemon juice, as one did in the 80s. Neither mentioned a shared lust for a neighbor — a combination seminarian and jock — who joined us for a swim from time to time.

Dad and Beth married the following September. By May, two semesters later, my father’s tantrums had driven her away. Amazingly, he never once had an ill word to say about Beth. And this was a man who in five minutes could convince you Gandhi was a narcissist and Jesus a sociopath.

He did have bad things to say about his first wife, my mother. And she gave him reasons. Beneath her charms lay inchoate storms of hurt and aggression. As Dad was leaving her for the last time — I was 12, a year before Dad met Beth — she told him she was going to take me to “Luna,” a recent Bertolucci film. A terrible look came over his face, not rage this time but horror.

After he left, I was too terrified to look at the art house flyer taped to the fridge. My mother never did take me to see the movie, but a few years later, “Luna returned for a Bertolucci retrospective. This time I did read the flyer and wished I hadn’t. “Luna,” it turned out, was “the story of the incestuous relationship between a mother and her teenage son.”

To be clear, my mother had never acted on the themes of the film, but she craved an emotional closeness that was too much for a son to give.

At 17, I went as far away as I could, first to college in California and then on to a journalistic career I kept undercutting with debt-fueled geographic cures that never worked for long — not Los Angeles, not Paris, not even Rio de Janeiro.

At first, Beth and I stayed in touch, but like me, she kept moving. She married again, had a daughter, divorced and, as a social worker/actress, constantly chased cheap New York City rents. By around 1995, the handwritten phone numbers in our respective address books were no longer valid.

When Dad died in 2005, the vodka finally having wiped out his liver, my sister tracked down Beth’s email and cc’d me. I was living in Rio, where I thought I’d found both happiness and a mate for life. Right away, Beth and I were yakking the way we had on the dock. Soon, I was visiting her for weeks at a time, ostensibly to work on a screenplay but mostly just to be together.

In 2013, a Supreme Court decision legalized same-sex marriage, enabling my Brazilian husband, 14 years my junior, to immigrate to the United States as my spouse. We moved to Upper Manhattan — two blocks from Beth. The Brazilian complained that she and I analyzed movies to death. We both thought, but we live to analyze movies to death.

One afternoon, I left him on the couch playing video games and texting bar plans that I no longer wanted to be part of. I walked to Beth’s, where she and I talked about substantive things — books, movies, joys, griefs. On the way back, I realized I wasn’t just bored at home. I was also lonely.

It was the Brazilian who left in the end. Beth comforted me as neither of my parents nor the Brazilian could have — she was patient, protective but never pitying, sure of my strength.

Suddenly, she and I were both single and struggling to pay Manhattan rents. Why shouldn’t she move into my extra bedroom? I hesitated, ostensibly because of her clutter problem. I once left some junk mail on her coffee table, only to find it in the same place when I returned six months later. When I threw it away, she was actually a little sad. I, by contrast, strove for the modernist austerity of the homes I wrote about for architecture magazines, and threw away not only clutter but even things I actually needed.

However, clutter was just cover for a deeper fear. By living with my father’s former wife, would the incestuous waves, at last, pull me under?

In 2010, Mom learned that her gut discomfort was stage-four colon cancer. “Forgive me …,” she said nine months later, from her hospice bed. Whether because of the pain, the morphine, or her own hesitation, she couldn’t name the thing to be forgiven. “For … for … well, you know,” she said.

I had found peace with my dying mother, but was still haunted by her earlier avatar — the Medea willing to psychically drown her son. Beth was my ex-stepmother, but “mother” was still a part of her title. Could I really share a home with her?

Then when I was 47, I lost my biggest freelance client. My finances were in free fall. Two months later, Beth, by then 57, moved in. I gave her the master bedroom and the two largest closets. In return, she ceded all aesthetic control of common spaces.

The clutter problem turned out to be only a minor annoyance. When her things piled up, I placed them on her bed while she was out.

The Mommy issues took longer. I would share details of my own peccadilloes, but plugged my ears and hummed when Beth did the same. “So you can talk about sex and I can’t?” she asked. “I guess that’s another one of your double standards, sweetie.”

Like aversion therapy, this controlled exposure has had marvelously curative effects. Now, Beth can get as graphic as she wants, and it is fine — at least tolerable. And gradually I have come to see my mother as a charming, cultured woman who, in 1980s Baltimore, kept up with Italian cinema.

Beth and I still analyze movies to death, but now from the comfort of the sectional couch I bought with the Brazilian. I am still regrouping for my next foray into love and marriage, but most days that question seems moot.

I’m still learning that a happy home is constructed not with Modernist furnishings but emotional safety — a language that, after nearly four decades, Beth is still teaching me to speak.

Robert Landon usually writes about travel and architecture.

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